Monthly Archives: February 2010

Irony at the movie theater

Came out of Avatar last night. I was afraid the place would be packed. Lisa: “Um, it’s been out for weeks now.” Oh yeah. Occasionally, I forget that I’m pretty significantly behind the pop culture curve.

Yes, the movie was amazing on multiple levels and in many dimensions.

Anyway, we walk out of the theater and there are big boxes where they ask you to recycle your 3D glasses. Standing next to them is a soccer mom. She said to the party behind us, “I’m, um, collecting some of those glasses if you want to give them to me.”

Here is the speech that I thought of as I walked away…

So, I don’t know if you actually watched the movie. But it’s about a lot of things, a key one being that the planet we live on is a sacred place. You see, if we recycle these glasses then they don’t have to manufacture that many more of them, and it’s less plastic and less shipping costs and fuel to transport them and so on. But I guess the central theme of the movie was kinda lost on you.

Fact is, I wouldn’t have given her that speech – it’s not my M.O. But it killed some of the buzz I’d taken away from the Punch Brothers concert the previous evening.

In praise of Punch

Saturday night, Lisa and I saw the Punch Brothers at the Diane Wortham Theater in downtown Asheville. Some people would describe the Punch Brothers as Chris Thile’s band. He is certainly the most notable name in the band, stands center stage, etc., but it’s unfair to his band-mates to simply call it Chris Thile’s band.

They played to a sold-out theater full of old, young, and in-between fans. It was Thile’s birthday and as the second set opened, the crowd spontaneously sang Happy Birthday to him. The band picked up our key quickly and played along.

These guys have taken over the new-grass acoustic string virtuoso space previously held by the “Strength in Numbers” crew (Fleck/Bush/Douglas/Meyer/O’Connor), who, along with Tony Rice, pushed the boundaries of acoustic string music over the last couple of decades.

Taking nothing away from the giants, on whose shoulders the Punch Brothers stand, this new breed is truly climbing higher. Every one of them is an absolute virtuoso on his instrument and they push themselves and the audience at every turn. These young men could play bluegrass standards in their sleep and still blow your socks off. Instead, they roll out pieces such as “the second half of the first movement – the most requested half of that movement” of Thile’s 45-minute chamber piece Blind Leading the Blind. It is virtually through-composed (not the familiar verse/chorus repetition) with tempo and rhythm changes throughout. And yet there’s not a sheet of music in sight – it’s all memorized.

Their sense of ensemble is as good as any chamber orchestra or string quartet I’ve ever seen (which is quite a few). And their joie de joue, particularly Thile’s, reminds me of nothing so much as Yo-Yo Ma’s ineffable delight in being in the middle of the music he helps to create.

Imagine watching a figure-skater do a routine that was nothing but the most difficult moves imaginable and nailing every one. Furthermore, doing those moves with easy grace and fluidity that made you 100% sure that he simply was not going to fall. Period. That was what it was like being at the Diane Wortham Theater Saturday night.

This all translated to the crowd, which was pre-loaded to love the show. Asheville is an acoustic music hotbed and the relationships between people in the town and the band members run deep. So the crowd was absolutely silent for every note (modulo the Happy Birthday outburst), giving the musicians the same courtesy they would an orchestral performance. [1]

Here’s the deal: if everybody, every one of us, was as good at his job as the Punch Brothers are at theirs, the world would have virtually all of its problems licked in a generation or two.

But talking about a music performance is, as somebody wrote so well, like dancing about a painting. Here’s the band [2] performing Cazadero in San Francisco. When they did this Saturday night, I sat there with a stupid grin on my face the whole time. I didn’t want the moment, or the song, to end. For those 4-5 minutes, the world was basically a perfect place. And lest you think this was just yet another “bluegrass breakdown” sort of instrumental piece, watch closely right around 3:00. The four lead instruments are doing intertwined melodies that weave an exquisite whole.

There is something life-affirming about watching a group of people truly excel at something; it made me glad to be part of the human species.

[1] This is one of the aspects of modern music that I detest. Why did we suddenly decide it was okay to talk, shout, scream, etc. during a musical performance just because the musicians (and audience) aren’t wearing tuxes and ball gowns?

[2] One personnel change since: the bass player is now a 22-year-old recent Curtis Institute graduate (and Edgar Meyer prodigy) named Paul Kowert. It’s clear this kid could have picked any orchestra or chamber group (pretty much world-wide) he wanted to be in; he chose the Punch Brothers.

The 45-minute sermon and Melbourne taxis

Taxi going from the Melbourne hotel to the airport. Driver large and Anglo. We get in and he starts talking.

I hate this. I mean, when I pay my money for the taxi ride, I shouldn’t have to listen to the driver explain the way the world works. It’s all too common, but this particular lecture was more, ah, ironic than most:

“What were you here for?”
“The poker tournament.”

That does it. He sets about telling us how his mates play poker, he plays occasionally, doesn’t much care for it, etc. Then the clincher:

“After all, it’s all luck, isn’t it?”

That was a [quintessentially British/Aussie] rhetorical question. I keep my mouth shut.

Then he goes on to talk about online poker and how it’s “dodgy” and he’s watched his mate play four of six seats in a sit-and-go using four laptops and four IP addresses.

“After all, the whole online poker thing is completely dodgy, isn’t it?”

That was a rhetorical question. I keep my mouth shut. But I do look at the list of “Passenger rights” glued to the window to see if “A quiet ride to the airport” is in there.

Then he starts going on about being sure to get licensed taxis, though he explains that doesn’t do you any good because [fairly insulting racial diatribe about how they're sharing licenses and it's not like you can tell one of them apart from the other]. The ironic thing here is that his rant strikes a cord – Lisa and I have noticed that many of the cabbies we’ve encountered do seem to be well and truly clueless. Right down to being unable to operate the GPS units in their vehicles. In 5-6 cab rides, we’ve been dropped at the wrong address twice and had to give the cabbie directions to a major beach-side restaurant once.

But all in all, I wish that, when you climbed into a taxi, the driver would at least ask you if you wanted to hear his perspective on life for 45 minutes on the way to the airport.

Putting your feet where your heart is

My mother-in-law, Elizabeth (“Liz”) Haupert, was born in Fort Smith, Arkansas. Aside a brief detour to Wellesley College (education) and Illinois (to start a family), she has lived her whole life there. Furthermore, she’s been a member of the First Presbyterian Church of Fort Smith since she was born – she was baptized there. Most of her friends attend that church, her husband Selby’s ashes are stored in a columbarium in the wall of its sanctuary. And had you asked her a year ago, she’d have told you that she expected to leave First Presbyterian Church and this life at the same time.

And therein lies a story.

Liz carries with her a vigorous Christian faith. Not verbatim interpretation of the Bible by any stretch – one way of saying it is that she considers evolution to be one of God’s miracles. Somewhat later in her years, she decided that that faith demanded action and she started volunteering at senior centers to help old folks do their taxes (being a retired math teacher didn’t hurt that any). Then some folks at her church, First Presbyterian, told her about a new outreach program they had called “CARY”. It was providing a place for at-risk kids in their community to go after school. The CARY program provided homework tutors, recreation coordinators, and just plain old TLC.

Liz at her husband's funeral being hugged by two CARY kids

That’s Liz at her husband’s funeral, two years ago. A bunch of the CARY kids came and sat in the front rows, right near her. Those are two of the kids hugging her at the reception afterward.

Liz may be a grandmother and math teacher, but she’s also a mover and shaker in the community. When the CARY program needed a van to schlep the kids around in, she went to a lifelong friend, who just happened to own one of the largest trucking companies in the U.S. I doubt she used the world “schlep” (despite her maiden name of Wolferman), but she got the van.

In short, she and the CARY program were meant for each other.

Then a weird thing happened. People in the church started to complain about the CARY program. It’s not my place to go into detail, but I think I can say that some folks in the church didn’t feel comfortable with the CARY kids. Not to put too fine a point on it, but the membership of the church is white and middle-to-upper class. The CARY kids are not.

Liz went to meetings and sessions and conferences with the church’s interim minister. The minister basically got in front of the congregation and said, “Right – you have to decide if the CARY program is for you or not.” I think he was hoping they’d come to their senses; they didn’t.

The governing board of the church fired the guy who was running the CARY program and didn’t replace him.

Almost immediately, my mother-in-law, Liz Haupert, who was born, baptized, and raised in the First Presbyterian Church of Fort Smith, Arkansas, quit the church choir and her participation in all church committees. She and her sensible shoes went over to Central Presbyterian, which welcomed her with open arms. Turns out many worshipers there are old friends and former teaching colleagues.

Of course, there were tears aplenty and much soul searching. You don’t lightly leave a church and community after 70-whatever years. But Liz’s vigorous Christian faith and clear moral compass left her no alternative.

I don’t know if they’ll start a CARY program at Central Presbyterian. What they did do, the day all the kids got left out in the cold by First Presbyterian, was round them up in private cars (First Pres still has the van) and take them over to a nearby park to hang out and explain (as best they could) what was going on. Conveniently, a reporter from the local newspaper was in the park at the time taking pictures of the park in wintertime. He stumbled onto the gathering and suddenly had a scoop. John Lennon would have smiled and called it instant karma.

I’ve always been very proud of my mother-in-law, Liz Haupert. But never quite so proud as I have been these last few weeks.

……………………

Addendum: I just got an email from Liz after pointing her to this article:

[A] man with money and an empty building saw [the newspaper article] and called [the CARY program founder], bought a van, and is temporarily continuing the program for those kids until other funding can be arranged.

She calls it God at work; I call it karma. Whatever.